WISCOMP
invites applications for a South Asian Peacebuilding Workshop titled Enriching
Democratic Practice in South Asia:
Possibilities from the Field of Peacebuilding on the 30 – 31 of
October, 2010 in New Delhi. Click
here for details.
Annelise Ebbe and Ila Pathak, Whither Women’s Rights? A Report from Kandhamal, WISCOMP (2009)Navanita Sinha, Democracies in Transition: Opportunities and Challenges for Nepal- A Report, WISCOMP (2010)
WISCOMP collaborates with trained
facilitators who use various forms of the theatre to promote the teaching
and practice of conflict transformation and peacebuilding. The intent
of these workshops is to exhibit how theatre is more than a sum total
of songs, dances, mimicry and props. Theatre is seen as a powerful
tool for self-development, and as an effective form of communication
to raise awareness on selected issues. Emphasis is laid on foregrounding
the techniques of dramatic projection, how to use movement and space
and voice to convey a message. A whole range of interactive theatre
methodologies associated primarily with the theatre of the oppressed,
such as image theatre, playback theatre, invisible theatre and forum
theatre, have been used at different WISCOMP workshops to encourage
a redefinition of empowerment and people’s participation in
peace processes. In J and K theatre workshops have been organized
to:
• Encourage the young to initiate discussions on issues that
affect the lives of youth and young adults through the medium of theatre
and performance.
• Encourage the young participants to look beyond their own
personal limitations and beliefs and enhance their own confidence.
• Explore the possibilities of cooperation as a team
• Provide a forum for the discussion of socially relevant issues
on which they have already worked such as health, environment, and
domestic violence.
• Internalize and get a deeper understanding of gender issues
and how this impacts their everyday lives, particularly in a situation
of conflict.
Story telling and Puppetry Workshop with Samanbal Members, 2005
A story telling and puppetry workshop
by Anurupa Roy was organized at Bijbehara to demonstrate how puppets
can be used as a tool for social action. Many of the participants
were involved in environmental awareness programs, village outreach
projects and this new tool was greatly appreciated. The puppetry workshop
also served as a healing and cathartic mechanism for the participants.
Theatre Workshop with Teachers, 2007
WISCOMP brought together a group of
teachers from various schools -both men and women - for a training
program on counseling skills for teachers. A module on using theatre
with schoolchildren as a tool of catharsis and self expression was
added at this workshop. Facilitated by leading theatre personality
from Jammu, Balwant Thakur, the introductory module with its motto
of 'creating everything out of nothing' demonstrated how simple exercises
using movements and sounds and with minimal props could be used in
the classrooms to elicit responses, create alertness and quickness
of thinking and provide space for children to express their feelings.
Theatre Workshop with Samanbal Members, 2008
A theatre workshop with Samanbal members
from Bijbehara was held from June 6-8, 2008 in the samanbal space
at Bijbehara town, Anantnag district in Kashmir. The resource persons
were Balwant Thakur and Anil Tickoo of the well-known theatre group
from Jammu, Natrang. The workshop demonstrated how theatre can be
a potential and powerful tool, a different kind of “weapon”
that one could hold in her hands. The methodologies of communication
- both verbal and more important non-verbal were discussed and demonstrated.
Therefore breaking the myths associated with the term theatre, the
workshop engaged the participants in a number of exercises to demonstrate
how theatre could be employed as an invisible tool to generate conversations
on a variety of social issues, thereby highlighting the employment
of theatre for social change.
Wiscomp
was established as part of the efforts of the Foundation for Universal Responsibility
to build a culture of coexistence and nonviolence that is gender-sensitive
and inclusive. A not-for-profit, non-sectarian, non-denominational organization,
the Foundation promotes universal responsibility in a manner that celebrates
a diversity of beleifs and practices, and that contributes to a global ethic
of nonviolence, coexistence and gender equity. The work of the Foundation
is global in its reach and transcends nationalist political agendas.